17,982 Royalty-Free Audio Tracks for "Audio Files Of The Creation By Joseph Haydn (marketvitch"

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Tod und Schlaf ("Death is a Long Sleep"), four voice round by Haydn.
Author: Joseph Haydn (Life time: 1732 – 1809)
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Periodizität in Joseph Haydn Klaviersonate Hob. XVI/1
Author: Joseph Haydn (seit über 100 Jahren tot)
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Score of Haydn (1732–1809) quartet Opus 20, No 4, movement ???. Tempo, quarter=120.
Author: Hyacinth
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Title/Work: Trumpet Concerto in E Flat Content: - Genre(s): Chamber music Author(s)/(Composer(s): Joseph Haydn (1732-1809) Music arranger(s): none Lyricist(s): none Performer(s): Philharmonia Orchestra; Trumpet: Harry Mortimer (1902-1992); Organ: Reginald Foort (1893-1980) Conductor: George Weldon (1908-1963) Place of recording: EMI Studio No. 1, Abbey Road, London (United Kingdom) 1st release date: 1949 1st recording date: 19 June 1946
Author: Untitled
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Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.
Author: Hyacinth
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Joseph Haydn: Ein einzig böses Weib, Kanon auf einen Text von Lessing
Author: Joseph Haydn
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Period (two phrases) in Haydn's Feldpartita.
Author: Hyacinth
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De la wiki en inglés. Brief extract from development section of the Symphony #96 ("Miracle") by Joseph Haydn. Recorded on an acoustic piano by Opus33 using Audacity software. This music is in the public domain. This sound file is hereby released into the public domain by Opus33.
Author: No machine-readable author provided. Subitosera assumed (based on copyright claims).
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Sound file in ".ogg" format of "Vjutro rano", a Croatian folk song thought to be a model used by en:Joseph Haydn in composing en:Gott erhalte Franz den Kaiser. Song is taken from the book Haydn: A Croatian Composer by William Hadow (1897); the copyright on this work is expired. Digital recording of Opus33 playing this tune on a piano. This material is released into the public domain.
Author: The original uploader was Opus33 at English Wikipedia.
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Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.
Author: Created by Hyacinth (talk) 12:13, 21 June 2010 using Sibelius 5.
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Interpret: Harry Mortimer Titel: Trumpet Concerto in E Flat Komponist: Joseph Haydn Genre: Kammermusik Aufnahmedatum: 19. Juni 1946 Erstveröffentlichung: 1949
Author: Public Domain Projekt
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1st release date: 1936 1st recording date: 4 October 1935 Place of recording: London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor(s): Thomas Beecham (1879-1961) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 99 in E-flat major Content: 1st Movement - Vivace assai (Conclusion) Genre(s):Symphony
Author: Joseph Haydn (1732-1809)
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1st release date: between 1928 1st recording date: 13 July 1928 Place of recording: C Studio, Small Queen’s Hall, London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor: John Barbirolli (1899-1970) Performer(s): Guilhermina Suggia, Cellist (1885-1950) Vocal range: instrumental Title/Work: Cello concerto in D major Content: 3rd Movement (2nd Record) Allegro (Part 6) Genre(s): Cello concerto
Author: Untitled
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Recording is an instrumental version of Das Lied der Deutschen by Haydn, performed by the US Navy Band. Lyrics are of Stand, Columbia, the alma mater of Columbia University.
Author: Untitled
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Čeština: Ragtime Nightingale - Joseph Lamb
Author: Johnny Wittwer, Joseph Lamb 1945
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Instrumental version of Das Lied der Deutschen by Haydn, performed by the US Navy Band.
Author: Untitled
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Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.
Author: The original uploader was Hyacinth at English Wikipedia.
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Georges Bizet: L'Arlésienne Suite Nr. 1, 1. Satz (Ausschnitt) Sinfonie-Orchester des Hessischen Rundfunks, Kurt Schröder (Dirigent) Aufnahme vom 8. September 1948 im großen Sendesaal Eschersheimer Landstraße Georges Bizet: L'Arlésienne Suite no. 1, first movement (excerpt) Frankfurt Radio Symphony, Kurt Schröder (conductor) recording from 8 September 1948 in the Eschersheimer Landstraße broadcasting studio
Author: hr-Sinfonieorchester
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Richard Wagner: "Titurel, der fromme Held" aus "Parsifal" (Ausschnitt) Orchester des Reichssenders Frankfurt, Hellmut Schwebs (Bass), Otto Frickhoeffer (Dirigent) Aufnahme von 1942 im Großen Saal an der Eschersheimer Landstraße Richard Wagner: "Titurel, der fromme Held" from "Parsifal" (excerpt) Frankfurt Radio Symphony, Hellmut Schwebs (bass), Otto Frickhoeffer (conductor) recording from 1942 in the Eschersheimer Landstraße great hall
Author: hr-Sinfonieorchester
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John Philip Sousa's "The Rifle Regiment", performed by the U.S. Army Band
Author: Composition: John Philip Sousa Performance: U.S. Army Band
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John Philip Sousa's "The Invincible Eagle", the interim march of the United States Space Force, performed by the U.S. Army Band
Author: Composition: John Philip Sousa Performance: U.S. Army Band
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Sansoen Sueapa (Tiger Corps Hymn) - Parttayakoson Band เพลงสรรเสริญเสือป่า (ทางบรรเลง) บรรเลงโดย วงดุริยางค์พาทยโกศล
Author: Paribatra Sukhumbhand
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A slow version of the Marines' Hymn performed by the United States Marine Band, as played at military funerals.
Author: Composition: Jacques Offenbach Performance: United States Marine Band
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Till Eulenspiegel's Merry Pranks ("Till Eulenspiegels lustige Streiche", Op. 28) performed by the United States Navy Band. Track 8 from Celebrations (2001).
Author: Untitled
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w:John Philip Sousa's Manhattan Beach Recording date not clear according to CD booklet metadata suggests 1989
Author: John Philip Sousa, performed by the United States Marine Corps Band from Semper Fidelis: Music of John Philip Sousa
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The Star-Spangled Banner, performed by the U.S. Army Band
Author: Composition: John Stafford Smith Performance: U.S. Army Band
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John Philip Sousa's The Thunderer, played by the United States Army Band
Author: Composition: John Philip Sousa Performance: United States Army Band
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The Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This is used to provide musical honors to consuls general accredited to the United States, and is often performed during the posting of the National Colors.
Author: Performance: U.S. Army Band
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The march "The Charlatan" by John Philip Sousa, played by the United States Marine Band
Author: Composition: John Philip Sousa Performance: United States Marine Band
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John Philip Sousa's The Stars and Stripes Forever, performed by the U.S. Army Band
Author: Composition: John Philip Sousa Performance: U.S. Army Band
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Four ruffles and flourishes, followed by the Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This combination is used to provide musical honors to senior civilian government officials.
Author: Performance: U.S. Army Band
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Straus Waltz Medley performed by The US Air Force Strings
Author: Arr. MSgt (Ret.) Charles Granofsky
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The Polka from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.
Author: Composition: Bedřich Smetana Transcription: Lt. Col. Jack Kline, United States Marine Band Performance: United States Marine Band
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The Dance of the Comedians from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.
Author: Composition: Bedřich Smetana Transcription: Lt. Col. Jack Kline, United States Marine Band Performance: United States Marine Band
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The Furiant from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances. Furiant z opery Sprzedana narzeczona Bedřicha Smetany w transkrypcji i wykonaniu orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych (ang. U.S. Marine Band) z albumu Courtly Dances. Čeština: Furiant ze Smetanovy opery Prodaná nevěsta, nahraná v přepisu orchestrem U.S. Marine Band pro album Courtly Dances. Македонски: Танц од Продадената невеста на Беджих Сметана во изведба на оркестарот на Морската пешадија на САД.
Author: Composition: Bedřich Smetana Transcription: Lt. Col. Jack Kline, United States Marine Band Performance: United States Marine Band
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Christmas Back Home performed by Wild Blue Country of the United States Air Force Band of the Rockies. Track 11 from Christmas from the Rockies (1993).
Author: Performance: United States Air Force Band of the Rockies, Wild Blue Country; Recording: United States Air Force
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Complete vocal version of the Mexican national anthemVersión vocal completa del himno nacional mexicano
Author: Secretariat of National Defense (Mexico)
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Versión vocal corta del himno nacional mexicano
Author: Secretariat of National Defense (Mexico)
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Himno Nacional Mexicano - Banda Militar de la Escuela Nacional Preparatoria
Author: Musica de Jaime Nunó y letra de Francisco González Bocanegra
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La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]
Author: Untitled
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The intermezzo from Enrique Granados's Goyescas, played in an transcription by the U.S. Marine Band for the album Director's Choice.
Author: Composition: Enrique Granados Transcription: John R. Bourgeois, United States Marine Band Performance: United States Marine Band
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The "March of the Mogul Emperors" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.
Author: Composition: Edward Elgar (1857–1934) Transcription: Frank Winterbottom (1861–1930) Performance: United States Marine Band
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The "Menuetto" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.
Author: Composition: Edward Elgar (1857–1934) Transcription: Frank Winterbottom (1861–1930) Performance: United States Marine Band
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